![]() ![]() Reflecting upon themes of remoteness, the ensemble guides audiences on a sensory and immersive auditory journey.Īuthor dndrew Posted on ApApCategories Concerts Leave a comment on Concert programme 13 April, 2021 ICEe EVENT on 13 April, 2021 Section three stops and the guitar fades into silence. Section three slowly recaps the first section, but switches to guitar harmonics and percussion. The sound world explodes once the fastest tempo is attained, followed by silence. Each time the tempo increases, the robots chant “this cannot continue” and “become as gods”. ![]() The earthy – nature feeling of the SFXs and the rhythm are replaced by a mechanical, robotic feel. The guitar starts playing the melody giving a feeling of the main character’s solitude.Ī change of mode/scale from major to minor occurs in section two when the robots attack the main character. We hear earthy rhythms and SFXs in a fragmented manner representing a dystopian environment. Section one starts off with a sustained ambient tone as the main player-character arrives at the city ruins. Nier Exotica is in three sections and is based on the action RPG video game, NieR:Automata. The vast online world allows us to connect across space and time, except nothing compares to real-life, face-to-face interaction with other human beings? Solo Well, in a way, maybe that’s true! Only we are the robots, flying our cars around cyberspace, just trying to find meaningful connection. Once we thought that the 2020s would be characterised by flying cars and robots… INTEGRA CONTEMPORARY & ELECTROACOUSTICS ensemble PRESENTS Remote We develop new performance practices and explore a potential for increased musical expressivity through technology. Students can also integrate regular musical instruments (saxophones, pianos, didgeridoo, accordions, voices, percussion instruments, etc.), electronic instruments (guitars, microphones, MOOG Voyager, etc.) and digital instruments (turntables, DTX Drums, wii remotes, tablets, and more…) while practicing group performance, composition and free improv. We also code with TidalCycles, an open source, Haskell-based, software for patterning and performing music with code, for “algoraves” or composing in the studio. ![]() In ICE, we engage in experimental approaches that include composing and free improv, experimenting with live electronics, developing new digital instruments, sound design, creative sound production techniques, live coding, live gameplay, experimental video, and software synthesis (Logic Pro, Ableton Suite, Max, among others). Integra Contemporary & Electroacoustics (ICE) is a student ensemble that focuses on the integration of divergent practices and art forms: audio and visual analogue and digital instrumental and computer/algorithmic performance hardware and software music and performance art. ![]()
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